![]() ![]() “The blood from the first cut had started to trickle down his arm the moment he’d finished it, until I saw the photos the next day, I didn’t know what he’d written because it was obscured by the blood. ![]() “By the end, the conversation was going around in circles and Richey’s arm was beginning to look uncomfortably gory,” Lamacq wrote. Lamacq watched in growing horror as the musician continued to hold forth, apparently oblivious to the blood gushing from his arm. ![]() Edwards, while still talking, then cut ‘4 REAL’ into his arm with a razor blade.”Įxtraordinarily, Edwards had then pressed on with the chinwag, taking place at the glamorous Norwich Arts Centre. After a post-gig interview in which we discussed both their methods and their merits, guitarist Richey Edwards invited me backstage for a final word. “I was the NME journalist sent to review them. “The Manics were an aspiring, ambitious rock’n’roll four-piece from Wales,” Lamacq would recap in his 2000 autobiography, Going Deaf For A Living. But things turned sour after he gave an early gig a poor review. Lamacq had been a cheerleader when they’d first moved to London. It occurred at the end of an interview with the NME’s Steve Lamacq, with whom the Manics had an antagonistic relationship. Four years before his disappearance, it had been the “4 Real” controversy that put Edwards on the map. ![]()
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